| Five
heaps of dust sent from different family members are laid on the floor
with gold text – a trace of their experiences. Dust is powerful
matter through which to describe the actuality of myself being in
a place, of being here and not there (i.e., in a different place to
people I feel strongly about). Acknowledging that technology mitigates
the idea of physical and temporal distance, I am determined to feel
being in my place as much as possible. The claim to materiality relates
to the dissatisfaction of simulation, offering the material quality
of experiences. Manipulating and recreating my brother’s matter
allows me to visually and imaginatively linger on it, somehow inhabiting
it. The reference to Wolfgang Laib’s work ‘The Five Mountains
Not to Climb On’ is an attempt to emphasize the preciousness
of dust as matter. For me it is precisely the materiality of dust
– an infinite collection of evidence from a person’s life
in another place – that makes it so precious. Like our memory
of past experiences, these heaps of dust are not solid permanent matter
but matter in a state of precariousness. |